“I call myself the Samson of the firewood guillotine. See here again! Loo, loo, loo; Loo, loo, loo! And off HER head comes! Now, a child. Tickle, tickle; Pickle, pickle! And off ITS head comes. All the family!”

Lucie shuddered as he threw two more billets into his basket, but it was impossible to be there while the wood–sawyer was at work, and not be in his sight. Thenceforth, to secure his good will, she always spoke to him first, and often gave him drink–money, which he readily received.

He was an inquisitive fellow, and sometimes when she had quite forgotten him in gazing at the prison roof and grates, and in lifting her heart up to her husband, she would come to herself to find him looking at her, with his knee on his bench and his saw stopped in its work. “But it’s not my my business!” he would generally say at those times, and would briskly fall to his sawing again.

In all weathers, in the snow and frost of winter, in the bitter winds of spring, in the hot sunshine of summer, in the rains of autumn, and again in the snow and frost of winter, Lucie passed two hours of every day at this place; and every day on leaving it, she kissed the prison wall. Her husband saw her (so she learned from her father) it might be once in five or six times: it might be twice or thrice running: it might be, not for a week or a fortnight together. It was enough that he could and did see her when the chances served, and on that possibility she would have waited out the day, seven days a week.

These occupations brought her round to the December December month, wherein her father walked among the terrors with a steady head. On a lightly–snowing afternoon she arrived at the usual corner. It was a day of some wild rejoicing, and a festival. She had seen the houses, as she came along, decorated with little pikes, and with little red caps stuck upon them; also, with tricoloured ribbons; also, with the standard inscription (tricoloured letters were the favourite), Republic One and Indivisible. Liberty, Equality, Fraternity, or Death!

The miserable shop of the wood–sawyer was so small, that its whole surface furnished very indifferent space for this legend. He had got somebody to scrawl it up for him, however, who had squeezed Death in with most inappropriate difficulty. On his house–top, he displayed pike and cap, as a good citizen must, and in a window he had stationed his saw inscribed as his “Little Sainte Guillotine”—for Guillotine the great sharp female was by that time popularly canonised. His shop was shut and he was not there, which was a relief to Lucie, and left her quite alone.

But, he was not far off, for presently she heard a troubled movement and a shouting coming along, which filled her with fear. A moment afterwards, and a throng of people came pouring round the corner by the prison wall, in the midst of whom was the wood–sawyer hand in hand with The Vengeance. There could not be fewer than five hundred people, and they were dancing like five thousand demons. There was no other music than their own singing. They danced to the popular Revolution song, keeping a ferocious time that was like a gnashing of teeth in unison. Men and women danced together, women danced together, men danced together, as hazard had brought them them together. At first, they were a mere storm of coarse red caps and coarse woollen rags; but, as they filled the place, and stopped to dance about Lucie, some ghastly apparition of a dance–figure gone raving mad arose among them. They advanced, retreated, struck at one another’s hands, clutched at one another’s heads, spun round alone, caught one another and spun round in pairs, until many of them dropped. While those were down, the rest linked hand in hand, and all spun round together: then the ring broke, and in separate rings of two and four they turned and turned until they all stopped at once, began again, struck, clutched, and tore, and then reversed the spin, and all spun round another way. Suddenly they stopped again, paused, struck out the time afresh, formed into lines the width of the public way, and, with their their heads low down and their hands high up, swooped screaming off. No fight could have been half so terrible as this dance. It was so emphatically a fallen sport—a something, once innocent, delivered over to all devilry—a healthy pastime changed into a means of angering the blood, bewildering the senses, and steeling the heart. Such grace as was visible in it, made it the uglier, showing how warped and perverted all things good by nature were become. The maidenly bosom bared to this, the pretty almost–child’s head thus distracted, the delicate foot mincing in this slough of blood and dirt, were types of the disjointed time.

The consequences of that meeting in the dusk of Diana’s Grove were acute and far-reaching, and not only to the two engaged in it. From Oolanga, this might have been expected by anyone who knew the character of the the tropical African savage. To such, there are two passions that are inexhaustible and insatiable—vanity and that which they are pleased to call love. Oolanga left the Grove with an absorbing hatred in his heart. His lust and greed were afire, while his vanity had been wounded to the core. Lady Arabella’s icy nature was not so deeply stirred, though she was in a seething passion. More than ever she was set upon bringing Edgar Caswall to her feet. The obstacles she had encountered, the insults she had endured, were only as fuel to the purpose of revenge which consumed her.

As she sought her own rooms in Diana’s Grove, she went over the whole subject again and again, always finding in the face of Lilla Watford a key to a problem which puzzled her—the problem of a way to turn Caswall’s powers—his very existence—to aid her purpose.

When in her boudoir, she wrote a note, taking so much trouble over it that she destroyed, and rewrote, till her dainty waste-basket was half-full of torn sheets of notepaper. When quite satisfied, she copied out the last sheet afresh, and then carefully burned all the spoiled fragments. She put the copied note in an emblazoned envelope, and directed it to Edgar Caswall at Castra Regis. This she sent off by one of her grooms. The letter ran:

“DEAR MR. CASWALL,

“I want to have a chat with you on a subject in which I believe you are interested. Will you kindly call for me one day after lunch— say at three or four o’clock, and we can walk a little way together. Only as far as Mercy Farm, where I want to see Lilla and Mimi Watford. We can take a cup of tea at the Farm. Do not bring your African servant with you, as I am afraid his face frightens the girls. After all, he is not pretty, is he? I have an idea you will be pleased with your visit this time.

“Yours sincerely, “ARABELLA MARCH.”

At half-past three next day, Edgar Caswall called at Diana’s Grove. Lady Arabella met him on the roadway outside the gate. She wished to take the servants into her confidence as little as possible. She turned when she saw him coming, and walked beside him towards Mercy Farm, keeping step with him as they walked. When they got near Mercy, she turned and looked around her, expecting to see Oolanga or some sign of him. He was, however, not visible. He had received from his master peremptory orders to keep out of sight—an order for which the African scored a new offence up against her. They found Lilla and Mimi at home and seemingly glad to see them, though both the girls were surprised at the visit coming so soon after the other.

The proceedings were a repetition of the battle of souls of the former visit. On this occasion, however, Edgar Caswall had only the presence of Lady Arabella to support him—Oolanga being absent; but Mimi lacked the support of Adam Salton, which had been of such effective service before. This time the struggle for supremacy of will was longer and more determined. Caswall felt that if he could not achieve supremacy he had better give up the idea, so all his pride was enlisted against Mimi. When they had been waiting for the door to be opened, Lady Arabella, believing in a sudden attack, had said to him in a low voice, which somehow carried conviction: